"Just Because We're Magic Doesn't Mean We're Not Real."
Tuesday, June 28, 2016
Friday, June 24, 2016
Lift Every Voice for African-American Music Appreciation Month
Lift Every Voice and Sing
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James Weldon Johnson, 1871 - 1938 |
Lift every voice and sing, Till earth and heaven ring, Ring with the harmonies of Liberty; Let our rejoicing rise High as the list’ning skies, Let it resound loud as the rolling sea. Sing a song full of the faith that the dark past has taught us, Sing a song full of the hope that the present has brought us; Facing the rising sun of our new day begun, Let us march on till victory is won. Stony the road we trod, Bitter the chast’ning rod, Felt in the days when hope unborn had died; Yet with a steady beat, Have not our weary feet Come to the place for which our fathers sighed? We have come over a way that with tears has been watered. We have come, treading our path through the blood of the slaughtered, Out from the gloomy past, Till now we stand at last Where the white gleam of our bright star is cast. God of our weary years, God of our silent tears, Thou who hast brought us thus far on the way; Thou who hast by Thy might, Led us into the light, Keep us forever in the path, we pray. Lest our feet stray from the places, our God, where we met Thee, Lest our hearts, drunk with the wine of the world, we forget Thee; Shadowed beneath Thy hand, May we forever stand, True to our God, True to our native land.
"Many people are surprised to learn that "Lift Every Voice and Sing" was first written as a poem. Created by James Weldon Johnson, it was performed for the first time by 500 school children in celebration of President Lincoln's Birthday on February 12, 1900 in Jacksonville, FL. The poem was set to music by Johnson's brother, John Rosamond Johnson, and soon adopted by the National Association for the Advancement of Colored People (NAACP) as its official song. Today “Lift Every Voice and Sing” is one of the most cherished songs of the African American Civil Rights Movement and is often referred to as the Black National Anthem."
I have collected several different versions "Lift Every Voice" That I find particularly moving. You probably won't have a chance to listen to them in one sitting but you can always come back for more. Please share and encourage family, friends and comrades to listen and share.
Lift Every Voice and Sing (Black National Anthem) - Harmonyx
committed6mu
MPrynt
Ray Charles
Gladys Knight and Bebe Winans
Acapella
Makuena
Carissa May
Hassan Green
Stevie Wonder Medley
Melba Moore Featuring Dionne Warwick, Stevie Wonder, The Clark Sisters, Freddie Jackson, Anita Baker, Bobby Brown, Howard Hewett, Take 6, Stephanie Mills, BeBe & CeCe Winans and Jeffrey Osborne. (order of singing)
Alexandra Williams
Choir
With Lyrics
Okay if you're still here or you skipped ahead you get to hear my very favorite version.
Pearl-Cohn Magnet High School
Black History - UMAR JOHNSON LECTURE ON MARCUS GARVEY
DR. UMAR JOHNSON LECTURE ON MARCUS GARVEY Part.1
This is Pt 1. I'll leave it up to you to find the rest of this talk on youtube. I hope Dr. Johnson has got your attention enough to tempt you to look up the remainder of the lecture.
This is Pt 1. I'll leave it up to you to find the rest of this talk on youtube. I hope Dr. Johnson has got your attention enough to tempt you to look up the remainder of the lecture.
Wednesday, June 22, 2016
The Equity Series: Truth and Reconciliation—
Bryan Stevenson in Conversation with Khalil G. Muhammad
Wednesday, June 15, 2016
History of African American Music in 10 Minutes
African American Music The "Tip" of the Iceberg
As far as this blogger is concerned, at least 50% or more of all American music has it's roots in Africa. This video contains but a tiny sampling of the music that was created by Africans born in America. I'm thinking of the many musical styles that were created which influenced the mainstream, as well as the so-called classical and other ethnic music that African-Americans put personal their stamp on. We should not forget that lyrical portion of Black music, which accounts for much of American literature, whether or not it's acknowledged by the mainstream. I'm not even going to go into the related dances that were often created in tandem with this music.
I hope to see in the future, even more interest and activity put into African-American Music Appreciation Month with the end of having people recognize the true extent of the artistic talent and acknowledgment of the great body of work, of Africans born in America.
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